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 Research Centre for Greek Singing [ER.K.E.T.] - Teaching Plan

The Research Centre for Greek Singing (ERKET) offers training courses in Greek Singing:

For more details, please visit the course you are interested in and the web-page with Teaching Courses 2021-2022.

 



TRADITIONAL & FOLK SINGING

Conductor
Paraskevi G. Kanellatou

Repertory
Singing: traditional / folk / popular (e.g. from mainland and island Greece, Minor Asia & Propontida, Athenian and Ionian cantos, urban singing from Smyrni and Constantinople)

Duration of Classes
Performing groups: 11/2 - 3 hours per week

Μethodology
a. Oral presentation of each song during which all its characteristics are presented in detail (musical melody, interpreting style, tonality).
b. Notes about the lyrics and basic musicological and socio-cultural information.
c. Original or close to original sound material.

 

EPIRUS GREEK POLYPHONIC SINGING

Conductor
Paraskevi G. Kanellatou

Repertory
Singing: Epirus polyphonic singing from the regions of Pogoni and Dropoli

Duaration of Classes
Performing groups: 11/2 - 3 hours per week

Μethodology

a. Oral presentation of each song during which all its characteristics are presented in detail (musical melody, interpreting style, tonality).
b. Notes about the lyrics and basic musicological and socio-cultural information.
c. Original or close to original sound material.

 

FEMALE DIPHONIES OF NORTH DRAMA's REGION

Conductor
Paraskevi G. Kanellatou

Repertory
Singing: Female diphonic singing from the North region of Drama

Duaration of Classes
Performing groups: 11/2 - 3 hours per week

Μethodology

a. Oral presentation of each song during which all its characteristics are presented in detail (musical melody, interpreting style, tonality).
b. Notes about the lyrics and basic musicological and socio-cultural information.
c. Original or close to original sound material.

 

RIZITIKO SINGING

Conductor
Paraskevi G. Kanellatou

Repertory
Singing: Male singing from Lefka Ori (Regions of Chania and Rethymno, Crete) 

Duaration of Classes
Performing groups: 11/2 - 3 hours per week

Μethodology

a. Oral presentation of each song during which all its characteristics are presented in detail (musical melody, interpreting style, tonality).
b. Notes about the lyrics and basic musicological and socio-cultural information.
c. Original or close to original sound material.

 

REMBETIKO & POPULAR SINGING

Conductor
Paraskevi G. Kanellatou

Repertory
singing: rembetiko & popular (rembetiko singing of Asia Minor's or Peireus' style 1920-1945, popular singing of the period 1945-1965)

Duration of Classes
Performing groups: 11/2 - 3 hours per week

Μethodology
a. Oral presentation of each song during which all its characteristics are presented in detail (musical melody, interpreting style, tonality).
b. Notes about the lyrics and basic musicological and socio-cultural information.
c. Original or close to original sound material.

 

EARLY ARTISTIC POPULAR SINGING

Conductor
Paraskevi G. Kanellatou

Repertory
i) Athenian serenades, ii) theatrical revue songs (in revues, musical comedies, operettas and nocturnes), iii) Greek Songs before 1965 with American and European musical influences (tunes of the tango, samba, waltz) combined with melodies in the style of Athenian serenades' repertory

Duration of Classes
Performing groups: 11/2 - 3 hours per week

Μethodology
a. Oral presentation of each song during which all its characteristics are presented in detail (musical melody, interpreting style, tonality).
b. Notes about the lyrics and basic musicological and socio-cultural information.
c. Original or close to original sound material.

 

VOCAL TRAINING

Tutor
Paraskevi G. Kanellatou

Description
Vocal placement is the necessary technique for all categories of professionals and amateurs who have their voice as their main tool. The human voice is an instrument that can be highly cultivated. Proper training is required to protect it from daily wear and tear and perhaps misuse. In the lesson of vocal placement the student is taught the whole physical and mental mechanism of the vocal process. She is informed about the biorhythm and the endurance of his voice, her cooperation with the rest of the body. They are clarified and analyzed theoretically and practically: the process of respiration (inhalation & exhalation), the interconnection and cooperation of the voice with hearing and finally the vocal and repertoire stylistics.

Duration of Classes
Individual course: 45 min per week

Μethodology
a. learning through oral lectures and practical exercises of the vocal process;
b. written notes on the instrument of voice and the technique of sound production;
c. vocal exercises adapted to a repertoire of traditiona/folk songs and specialized exercises for musicians who, in addition to singing, wish to play other musical instruments.

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